There are only two things you have too know about the ExtendScript Toolkit program right now: Select target application, ExtendScript must know which application you are writing the script for. In the top left dropdown menu select Adobe Photoshop CS2 and if asked if you want top start it choose yes. Running script, to run a script you have written you press the button that looks like a play button. Reference documents All objects have different properties that can be set and methods that can be executed and right now you probably don't know any of these, this is where the reference documents come in. The reference document for JavaScript contains information about all objects available in your scripts. Start with a blank photoshop document of size 1024*768 and white background. Choose the brush "rough round bristle" from the toolbar. Create a new layer and draw some lines. Right click on the new layer and choose "blending options". Choose the values. DROP SHADOW INNER GLOW BEVEL AND EMBOSS; For "texture", choose "satin" as the pattern. TEXTURE Now add some motion blur to this layer from filters > blur > motion blur. Similarly, add gaussian blur also to this layer with the radius around 72. Not so catchy yet. Well try this. Change the background color of the default layer as black by choosing Edit > Fill from menu. Now look at the output. Ahh, that looks much better, isn't it ? You can add some text to this texturized background if you wish.
This is where professional level CMS's and entry level ones differ. At this point with the entry level you will scan in the printed target and the CMS will actually use the before generated scanner profile to correct the scan, so it can the correct your printed target. A professional level CMS will have a separate hardware device designed specifically for reading printed media targets. I would recommend using Relative Colorimetric as your Rendering Intent when doing the Convert to Profile step and when printing with Print with Preview out of Photoshop. Rendering intents control how the profile is applied to either the scanner or printed image. Relative Colorimetric has proven to be the best in my testing. Read the documentation that came with your CMS in order to learn more about the other available rendering intents.
News photographers routinely process images using Adobe Photoshop software. But there has been a basic premise in the world of photojournalism that what was allowed in making prints in the pre-digital days of darkrooms is all that is acceptable today. Back in the days of the darkroom, we used very basic tools to develop prints. In black and white printing, the contrast of a picture was controlled by a paper's grade. The higher the number of the paper, the higher the contrast. In the wire agency darkooms I've worked in, we typically used grades 3,4 and 5. We allowed "dodge and burn" to lighten or darken areas. A dodge tool was made by taping a small piece of cardboard the size of a quarter onto a paper clip. A burn tool was a piece of cardboard the size of an 810 sheet of paper with a hole in the center.
A shortcut for changing brush sizes while using this tool is to press the left bracket [ to decrease brush size, and the right bracket ] to choose a larger brush. Shift-right-clicking on your document while using this tool will open its Range menu next to your cursor. Note that these tools cannot be used on 1 bit Bitmap mode, or Indexed color mode images. The keyboard shortcut for the dodge tool is the letter O. You can cycle through the dodge, burn, and sponge tools by holding down the Shift key while pressing the shortcut letter.
In photoshop there is an awesome tool called the spot healing tool. There are soemtimes the photos that you really don't like becuase of an object that is in side the picture. What you can do is remove that thing and replace it with the background of the rest of the photo. It's easy enough to do but does take some practice. You will easily click on or drag accross the object that you dislike and it will be gone. Then the retouched area is combined with the background around it creating a flawless area where the object used to be. It's that easy!
The easiest way to make teeth whiter in a photo is with your Dodge Tool. (Among your tool icons, it's the 7th down on the right hand column. If you don't see it there, right click on the icon and you'll find two hidden choices; one will be your Dodge Tool.) On the horizontal Tool Options Bar under the Menu, choose "Midtones" for Range, and 40% for Exposure. Also on the Tool Options Bar, choose the appropriate brush for this particular retouching job. Use your Magnifying Glass Icon in Tools to zoom in to the area you want to affect. Then run your brush over the teeth you want to whiten several times, slowly, without releasing your mouse. If you find that the Dodge tool whitened too much, you can either click "Edit," then "Step Backward," (to start over), or "Edit", then "Fade Dodge Tool," which will allow you to fade the whitening enhancement to your exact preference.
Tons of people are using photoshop, but what aren't they using it for and should? Restoring Old Photographs. Have a look through that old family photo album - the really old one from up in Grandma's attic. Inside there are probably a few photos from way back when that haven't stood the test of time so well. They've got cracks and tears that really spoil their appearance. Scan them into Photoshop, and then set to work with the Clone Stamp, Healing Brush, and Patch tools. The Healing Brush in particular is a great tool for this purpose as it samples data from one part of the picture and blends it in with what's already there. Correcting Mistakes. We've all done it: Had an attack of "finger over the lens syndrome," or got too close with the flash, so our subjects suffer from "red eye" and look like extras from a horror movie. Use the crop tool to salvage something usable from your obscured photo, and the enlarge wizard to blow it up to a reasonable size. For "red eye" and "pet eye," use the eyedropper tool to sample color from around the iris, and a brush to paint away the red.
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